By Chris Meigh-Andrews
Tracking the altering different types of video artwork relating to the revolution in digital and electronic imaging that has taken position over the last 50 years, A historical past of Video Art orients video artwork within the wider paintings old context, with specific connection with the shift from the structuralism of the past due Nineteen Sixties and early Nineteen Seventies to the post-modernist matters of the Eighties and early Nineties. the recent version additionally explores the consequences of the internationalisation of artists' video within the interval major as much as the recent millennium and its issues and preoccupations together with post-colonialism, the post-medium and the effect and effect of the internet.
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Additional resources for A History of Video Art
A History of Video Art by Chris Meigh-Andrews